SonoLexic is an exploration of how we process the listening experience through language. Foregrounding the intimate cross-modal association of sound and words, the artwork proposes a new variant of synaesthesia – ‘ideathesia’.
An Experimenta and Australian Network for Art and Technology (ANAT) Commission.
Concept, text, sound and video by Gail Priest.
Object design and fabrication by Thomas Burless (tomikeh).
2 October - 11 November 2017
National Tour 2018-2020
Sounding the Future brings together the worlds of speculative fiction and audio art. It is an intensive program of research and creative development that will seek to predict what art in future will sound like. This act of prediction is inevitably informed by the present and thus it will also take stock of the sound of art today.
Sounding the Future resulted in a body of ficto-critical works delivered via gallery installation, radiophonic presentation and e-publishing.
UTS Gallery, 1 August - 22 September
featuring: George Poonkhin Khut, Pia van Gelder & Tom Smith, Peter Blamey
curated by Gail Priest
Exhibition catalogue and interactive hyptertext presenting the body of work developed for the Sounding the Future exhibition, in multitouch iBook format and interactive PDF
Sounding the Future presented as part of the Juried Exhibition
May 18 - 22
Run Run Shaw Creative Media Centre
One stream from Sounding the Future presented as part of the Acoustic Infrastructures edition of continent journal
Exhibition of the 1st iteration of the Sounding the Future project.
9-25 October, 2015
Artist panel presenting STF - The Secret Life of Technology
1 November, 2015
Nor∂andvindur: North Wind Sound Art Residency, Listhus, Iceland
Songmapping Ólafsfjörður comprises two bodies of work:
Heraclitus in Iceland — a series of compositions and videos reflecting
on continuity and temporality in relation to being a "visitor" in a place;
Singing with Scenery — a quick response project that sees me making
small improvisations in various locations in and around the town.
Sonoretum, Kapelica Gallery, Ljubljana
8-channel sound installation in public space
The 'Runic Engine' is a chance-based compositional structure derived from the format of a simple reading of the divinatory symbols called Runes.
In the traditional version of a reading the first rune represents the present, the second the action, the third the future outcome. Using Max/MSP programming this format has been co-opted to become a chance based compositional process.
Image: Samuel James